marblesculptor

Hi there, I am a marble sculptor. My practice has come about from many years of passion. Now I am coming out fortunately in a business from having made so many connections to my passion carving and my generative love for sharing stone with the world and my love for it. I bring traditional tools, chisels, mallets, rasps, marble blocks to California when I can for myself, and for business, wherever it's called for. I make many friends who just love sourcing anywhere from meaningful, to just perfect rock. All over the world. Myself, I live and work in Los Angeles though when I joined Circle I had myself and ten other people, it is a support system, we each have our own business from small to moderate to industrial. Recently I had repurposed my portfolio to focus-in on what I'm meant to do with all my experience. Links below later. To continue introducing the business and stop talking about myself, it's all about rock. Traditional anatomical statues. Historical or contemporary story. Finding just how to idealize moments, though if they are already ideal– to depict them. Me, my name is Arielle. Marom is nice. With a little distance, I joke that to answer to my surname especially if that is easier to say over the speaker is alright. My job is to sculpt. My job is also to supervise the installation. On occasion import large masses of rock when a friend could use a foreman. Alternatively my job is sometimes to hire a friend (always a marble sculptor as well) to oversee the installation of the works. Nobody aside from block sculptors take the time to install something that was labored on with as good a know how. I came to Circle because I found that after the order of my day became: breakfast, drawing, writing, sculpting, conferring with to place potential deals in a good position to go through, lunch, reading, dinner, more sculpting, aligning with what I've produced made the offer Squarespace provided for socializing with fellow business keepers does feel like a supportive progression after all the designing. What I want to talk about is: how do you "drop everything and go?" Anyone reading, I love living and being based in Los Angeles. That doesn't stop from pondering if ever to become available with skills elsewhere, I have Square Appointments managing side businesses of modeling for traditional arts, and the selling of tool referrals, professional remote consultations, discussions for building trust in the process of making art. Specific to rock as well. What I love right now is living my life, taking orders, taking up space, growing my business. I'm introducing it all again, reintroducing it I suppose. I feel like this is the perfect opportunity to mention how I live my professional life is to complete the labor in Los Angeles. Job site visit leads to a clear timeframe, and I am working on building lead time in to my special offerings. Meantime though, things are much less custom than they would appear, though I am glad they appear that way something to get support for in the forum is, for stability, the business keepers that have friends already dreaming to be customers. I feel patrons is the right word(s) for the larger A non-sculptor's perspective is always amazing. It's just me, but I call on help from my friends and professional colleagues cordial development all the time. The links for what I'm driving are: figureandmodels.square.site marble-sculptors-inc.square.site ariellemarom.org ariellemarom.info ariellemarom.com The driver's seat at times is just milestones.space I love the Square Sites and everything but the driver in on Squarespace. It brings some things up, I'm brimming with (mellow) excitment to talk to you about it. Currently I covered my commercial domain and press with a password. It is somewhat generating orders for me in the tools bar not attached to any particular commissioner. To avoid having to distill such things: You are welcome to ask me to take a look and chat about what the commercial site can do for the rest of the development. I am introducing the business openly to talk about how important the sculptures I have already made are in making the price for corporate buyers who have expressed interests in seeing a production line. These are favorite photos my friends have taken of me in action, pieces, and clear expectations as to what my figure is. A workbench I built. All the pieces made of rock on this set drawer are figurines of my making. The land before I got my own tools. My own drafting process for approaching marble. This is sometimes how I submit preparatory work. Often I propose a vision and charge before drawing the thinking process: maquettes and dioramas of miniature scale at times are requested to track approval for something much bigger. The tools you can hire me to use barely in the picture there! A clear, not done up, expectation about my figure for portraiture. My limited cast run! I love talking about the potential this model has. This is one of my favorite things to talk about: Not many sculptors with rock do this, sculpt from a live person I mean. The frequent relationship is to draw in preparation from the imagination often. Myself I did a clay blocking of a performing model in session. This validates risky choices, since rock can break if treated without concern for transportation. I keep purporting that working from a live person in stone would be the coolest thing ever. Probably because I want to achieve that headspace. It's a graceful process. Here she is reading and writing (reproducing) something of her own creation. IMG_1725.movThe first part of a nesting workbench set I built specifically for marble sculpture. I hope you find out more about what it takes to put together and work so diligently to bring quality items with such a formally good product to people. Marble is considered a durable good. Let me know what you think about the security net I built, Considering potential Block Inc. parents as well, I kind of feel like there is so much space for Art Objects. Isn't that what we all did here on Squarespace? Food for thought, looking forward to doing business with you!

Typically of myself I offer a new service or skill if I haven't amassed enough skill to offer a service.

I built this website as an offshoot of my sculpting marble. It arose of the curiosity to speak to an audience. The service is the very one I would offer myself. Artists and web-patrons everywhere, would you give some feedback please? If the resulting thought that comes to mind is a person who you just have to connect to me already in want of this service, that'd be a goal I think. Normalizing Art, not artists.